AI That Works
The Creator Admin System
The 4 content jobs I handed off, and how to hand off your first one this week.
- What this is
- A step-by-step guide to handing one content job to Claude this week, with every prompt ready to copy
- Who it’s for
- You run a small business, you know you should be posting, and right now you’re the researcher, the writer, the editor and the scheduler all at once
- What you need
- Claude on a paid plan, and a few short sittings across one week
- Technical level
- None. You’ll be copying prompts and answering questions
- Read time
- About 15 minutes
Where this started
If you found this from my carousel, you already know how I feel about it. You start a business to do the thing you’re good at, and somewhere along the way you’re also expected to be the writer, the scriptwriter, the video editor and the social media manager, all on top of the work that pays the bills. Nobody hands you a marketing team the day you register the business.
So a while back I stopped trying to turn myself into a content creator, and I built a system that does the creator admin with me instead. Four jobs went to it: the research, the first drafts, the editing and the scheduling. I kept the parts that actually need me, I pick the ideas, I film, and I write and decide what final copy goes out.
I want to say this outright before you start, you’re not building mine. Mine grew one job at a time over the last few months, and it runs on a lot of files and tools I’ve built up along the way. You’re starting with one job, this week, in one Claude project with a couple of documents in it. That’s it, that’s the whole ask, and I promise it’s a lot less work than it sounds.
By the end of the week you’ll have:
- One Claude project that holds everything about you and your content
- One document that explains you to Claude, so you stop re-explaining yourself in every chat
- One of the four jobs running, with something real out the other end
- A way to teach it from your own edits, so every week it starts a little closer to how you write
The 4 jobs
- → The research: a weekly brief on what’s working for creators in your space, so you never start from a blank page.
- → The first drafts: Claude drafts your posts and scripts from your own foundation document, and you edit everything.
- → The editing: Claude plans the cut from your transcript before you touch a single clip, and you direct.
- → The scheduling: a posting plan for the week and a check on every piece, and nothing goes out without your yes.
You’ll only set up one of these this week. Step 2 helps you pick.
Before you start
Claude on a paid plan. Projects are on every plan, free included, but a free account can only make five, and putting a job on a weekly schedule later needs a paid plan. Pro is the entry one.
Your Claude might look a bit different to mine, and that’s fine. Claude is merging its Chat and Cowork options into one conversation, and it’s rolling out to people gradually, so some of you will see both options in the message box and some of you won’t. Everything in this guide lives inside a project, and projects work either way.
Make the project. Open Projects in the left-hand sidebar, start a new one, and call it Content system, or whatever you like.
Check it worked: it’s sitting in your Projects list.
Step 1: Write your content foundation
You only ever do this once.
Think of the brief you’d give a new freelancer on their first morning: who you are, who you’re talking to, how you sound, what you’d never say. Now imagine you only had to give it once, ever. That’s this document, and every job in this guide reads it first.
Mine is a set of files, a voice guide, a description of the people I’m for, a list of words I’d never use, and a running file of the changes I make to drafts. You don’t need all that on day one. You need one document, and Claude will write it for you by interviewing you.
Open a new chat inside your project and copy this in.
I want you to help me write one document about me and my content, so every piece of content work you do for me starts from the same place and I stop explaining myself in every chat. Interview me, one question at a time. Cover: - what my business does, and who it's for - the 3 or 4 topics I want to be known for - the platforms I post on, and what I post there - how I sound when I talk to a customer - words and phrases I'd never use - anything I never want to claim or promise For every question, give me a few options and your recommended pick based on what you've learned so far, so I can say yes and keep moving. If I don't know an answer, write "not filled in yet" rather than guessing. Before we finish, ask me to paste in two or three things I've actually written: an email to a customer, a caption, a message, anything real. Don't let me tidy them up first. Use them to describe how I really write: how long my sentences run, the words I reach for, how I open and how I sign off. Then write it up as a document called "My content foundation", with a heading for each part. Show it to me, and once I've said yes, give me the final version as a document I can save.
Talk your answers rather than typing them. Use the dictate button on your keyboard. You’ll say more, it’s quicker, and the way you talk is much closer to how you sound than the way you type.
When it’s done, add it to your project’s files (Claude’s help pages call this project knowledge). If Claude offers to add it for you, say yes. If not, download it and add it yourself.
Check it worked: read it back. If a friend read it, would they say “yep, that’s you”? If a line sounds like a brochure, tell Claude which line and what you’d say instead.
Step 2: Pick your first job
One job. I mean it. The quickest way to stall is to set up all four in one go and have none of them working by Friday.
- → If the blank page is what stops you: start with the research.
- → If you’ve got ideas but writing them up takes forever: start with the first drafts.
- → If you film and the footage just sits on your phone: start with the editing plan.
- → If you make things and they never go out: start with the posting plan.
Can’t decide? Start with the first drafts. It’s the one you’ll feel the soonest, and it’s the job the other three end up feeding.
Job 1: The research
Never start from a blank page.
What mine does. Once a week, on a schedule, a system pulls the posts that did best for a set list of creators I follow, across YouTube, TikTok and Instagram, and writes me a brief of angles I could use, which I read on my phone. It uses a paid scraping tool and it took real setting up, and you need none of that to start.
What yours does this week. The by-hand version, which honestly teaches you more anyway. Through the week, whenever a post in your space stops you mid-scroll, screenshot it with the likes and comments showing and drop it into one album on your phone. Five to ten is plenty. Then, once a week, open a chat in your project, add the screenshots and paste this in.
Here are this week's screenshots of posts that did well in my space. Read them alongside "My content foundation". Write me a one-page research brief: 1. What's working this week: the 3 patterns you can actually see across these posts, like the way they open, the format, or the topic. Name the post each one came from. 2. Why each one worked, in one line. Only say what you can see in the post. If you can't read a number, say so, don't guess it. 3. 3 angles for me: a first line I could say, which of my topics it fits, and which post inspired it. Take the structure, never the other creator's story, numbers or words. 4. One thing to skip: something popular this week that doesn't fit me or my customers, and why. Keep it to one page. If a screenshot is unreadable, tell me rather than filling the gap.
Check it worked: you get 3 first lines you could imagine saying out loud. If one sounds like somebody else, tell Claude which one and why, and ask for another.
The one rule here: take the structure, never the story. A hook shape, a format, a way of opening, all fair game. Another creator’s story, their numbers or their words, never.
When it’s working. After a few weeks of doing it by hand, you can put it on a schedule, so the brief is waiting for you on the same morning every week. Keep saving your screenshots into one folder on your computer, then ask Claude to run Prompt 2 on that folder every week, something like “every Monday at 8am, read the screenshots in this folder and write my research brief”. Scheduled tasks need a paid plan and live in Cowork on the Claude desktop app (or in the new Claude, if you have it), and because this one reads files on your computer, it only runs while your computer’s on and the Claude app is open.
Job 2: The first drafts
Claude drafts it, you finish it.
What mine does. When I want a first draft, Claude writes my posts and video scripts from my own voice guide, shaped by what’s working for others, and only after I’ve said yes to the ideas. Then I edit everything until it sounds just like I want it to. I’ll be honest, I still change nearly every one, of the 33 post drafts I’ve tracked since July, 1 went out untouched. It’s my name on it. What the drafts take off me is the blank page, not the writing.
What yours does this week. Two pastes. First, the rules. Open your project’s instructions, the box where you tell Claude how to behave inside this project, and paste this in.
You're my first-draft writer. I'm the writer of record, and I edit everything before it goes anywhere. Before drafting anything, read "My content foundation", and write the way it says I write, not the way a copywriter would. Draft from my idea, my notes, or what I said out loud. Never invent a story, a number, a client or a result. If a draft needs a fact you don't have, leave a gap marked [check] and tell me what's missing. Give me one draft, plus 2 other first lines I could swap in. Nothing gets posted, sent or scheduled. Everything you write is a draft for me.
Then, whenever you’ve got an idea, start a new chat in the project.
Here's my idea: [paste your idea, your notes, or what you said into a voice note] Write it as a [LinkedIn post / Instagram caption / 30-second video script]. If it's a script, write it the way I'd say it out loud, in short lines, with the first line on its own.
The best input isn’t typed. Talk your idea out loud for a minute or two, into a voice note or the dictate button, and paste in what you said. It’s messier than typing, and that’s exactly why it works, because your real phrases end up in the draft.
Check it worked: you’ll still want to edit it, that’s expected, but you’re editing a draft rather than staring at an empty page.
Teach it from your edits. This is the part most people skip, and it’s what makes the drafts land closer every week. After you’ve posted something, paste the draft and your final version back in.
Here's the draft you gave me, and here's the version I actually posted. [paste the draft] [paste what you posted] Tell me what I changed, as short rules you could follow next time, for example "join short sentences into one longer one" or "cut the last line". Then write out a section called "What I always change" with any new rules added, so I can paste it into my content foundation.
I keep a running file of this, what I change in every draft, and it’s why the shape of my drafts lands closer now, even though I still rewrite the words.
Job 3: The editing
You direct, Claude plans the cut.
What mine does. My raw footage gets cut and captioned for me, I just watch it back and give my notes as the director, and Claude does the rest. For my time and my money it’s been a game changer, and it’s also the most technical thing in my whole setup. Claude runs proper editing tools on my computer, and the very first video took four rounds before it was right. So I wouldn’t start there, and you don’t need to.
What yours does this week. The part of my process that works for anyone. Before anything gets cut, Claude proposes the cut in words, and I redirect it then, while changing my mind costs nothing. You then make the cuts yourself, in whatever app you already edit in.
Get the words first. If your editing app can give you a transcript or auto captions, copy the text out. If it can’t, paste the script you filmed from and tell Claude which bits you said differently on the day.
Here's the transcript of a video I filmed, and the script I filmed from if I had one. [paste the transcript] [paste the script, if you had one] Before anything gets cut, write me an edit plan: - the parts to keep, in order, with the first few words of each so I can find them - what to drop and why: a false start, a repeat, a slow bit - every cut lands between two sentences, never in the middle of one - the line the video should open on - the captions, in short chunks of a few words each - one line of text for the cover Don't change anything I said. If a decision depends on how a take looked, ask me, because you're working from the words, not the footage.
Check it worked: you open your editing app knowing what to cut, where, and what the first line is, instead of scrubbing back and forth trying to decide.
Why every cut lands between sentences. A cut in the middle of a sentence sounds wrong every single time you watch it back. I learned that one the hard way, so it’s written into the prompt for you.
Job 4: The scheduling
Nothing goes out without your yes.
What mine does. Nothing goes out until I’ve said yes, and then it’s scheduled and posted for me through Blotato, a scheduling tool I’ve connected to Claude. That’s a rule I set, by choice, not something the tool makes me do.
What yours does this week. The tool matters much less than the rule, so build the rule first. Once you’ve got finished pieces for the week, paste them in.
Here's everything I've finished for this week. [paste the final posts and scripts] Turn it into a posting plan for the week: which piece goes on which platform, on which day, the caption for each platform, and a first comment where it would help. Then, for each piece, give me a short check before I schedule it: - does it say anything I can't back up? - is every name, date and link right? - is there anything I'd be uncomfortable seeing with my name on it? Don't schedule or post anything. I'll do that myself, once I've said yes.
Then schedule it yourself, in whatever you use now. If that’s posting by hand from your phone at lunchtime, that’s fine too, the plan is what stops the week going quiet.
Check it worked: every piece for the week has a day, a platform, a caption and a yes from you, before any of it goes anywhere.
When it’s working. If your scheduling tool connects to Claude, the same rule holds. Claude gets it ready, you approve it. Never the other way round.
So what do you still do?
Well, the parts that actually need you. You pick the ideas, you film, and you write and decide what final copy goes out. The system handles the admin around those, the looking, the first go at the words, the plan for the cut and the plan for the week, and honestly, it’s given me my headspace back for the work I actually started the business to do.
Your first week
| Day | What you do |
|---|---|
| Monday | Make the project and write your content foundation |
| Tuesday | Pick your job and run it once, on real material, not a test |
| Wednesday | Use what came back. Edit it, post it or park it, your call |
| Thursday | Run it again, then feed your edits back in with Prompt 5 |
| Friday | Look back at the week. Did it take something off your plate? If yes, keep the same job for next week |
Add the next job only when this one feels boring. Boring means it’s working. Then, once two jobs are running, connect them, so the research brief feeds the drafts and the drafts feed the posting plan. That’s when it stops being four helpful chats and starts being a system.
You’re done when
What not to do
- Don’t set up all four this week. One job running beats four half-built.
- Don’t let it invent anything. No made-up numbers, stories, clients or results. If a draft needs a fact it asks you, and that’s in every prompt for a reason.
- Don’t borrow another creator’s story. The structure, yes. Their story, their numbers or their words, no.
- Don’t post a draft you haven’t edited. Your name is on it.
- Don’t paste in anything you wouldn’t email to a stranger. Client names, private details, logins, keep them out.
The one line to remember
Hand over the jobs, keep the judgment.
If you want to build systems like this with me
This is one of the systems I run. The ones I teach live right now are for your admin, your proposals, your inbox and your day, and you build them on your own business, with me, over three live evenings. It’s called Admin on Autopilot, on 27, 28 and 29 October, 17:30 GMT (that’s 10:30 PT). It’s €89 for the three live evenings, €98 with the recordings, or €69 for the self-paced version.
If you want your headspace back from the admin side too, check it out: aithatworks.io/admin-on-autopilot
And my free toolkit, where I add new prompts every month, lives at aithatworks.io/free-tools.
Cheers,
Katelin
Checked against Claude’s own help pages on 30 September 2026. Claude moves its buttons around a lot, so if something on your screen looks different from what’s written here, go with your screen and ask Claude where it’s moved to.
Where the Claude facts come from
- Projects, and what a free account gets: support.claude.com/en/articles/9517075-what-are-projects
- Project instructions are for paid plans: support.claude.com/en/articles/10185728-understanding-claude-s-personalization-features
- Scheduled tasks, and why ones that use your files need your computer on: support.claude.com/en/articles/13854387-schedule-recurring-tasks-in-claude-cowork
- Chat and Cowork becoming one Claude: support.claude.com/en/articles/16761823